A visit to the Romont Vitromusée has all the elements of a perfect day trip: a singular collection found in an historic setting that’s accessible via direct rail links running through a stunning, pastoral landscape. From Medieval to Contemporary times The Romont Vitromusée of Stained Glass and Reverse Painting on Glass exhibits some of Switzerland’s most historically significant and visually stunning glass objects in a 13th-century timber-beamed castle that sits amidst a medieval hilltop village, making a visit there more than just another day at the museum.
The cheerful exhibition Plouf! A History of Swimming in the Léman provides a playful means to learn about the history of the Lake and its significance over the years to fans of its shores and waters. It’s especially informative when combined with a tour of the Museum’s permanent collection of historical artefacts.
When I visited the exhibition A Chinese Adventure: A Swiss family in pursuit of success in the Celestial Empire this past April, I promised myself that I would return to visit the permanent collection of the Musée Fondation Baur before the summer was out. With little time to spare after having enjoyed the temporary exhibit in the basement, I’d rushed through three floors of display cases catching too short a glimpse of the artwork on view. But it was long enough to appreciate that the beauty — and unexpectedly to me, the humour — to be found in the exquisite Far Eastern treasures displayed merited at the very least one more visit.
Although technology-driven and educational, “Nest” bursts with fun, humor and heart — and conjures lots of fond food memories — so its message is never out of the reach of even the youngest visitor. On 15 June 2016, the CHF50 million “discovery center” Nest opened its doors to the public in the stunningly renovated factory space in Vevey where Henry Nestlé invented in 1867 and went on to manufacture his groundbreaking, lifesaving powdered baby formula (farine lactée). Elements of the original factory, including metal girders, patched-up brick walls, and a looming facade that was once the external wall of the original workplace have been cleverly enfolded within a spacious, glass fronted structure.
In its just-published brochure “Switzerland’s Loveliest Museums, vol. 2” the Swiss Heritage Society introduces us to 50 art museums from different eras and all regions of the country that give us a winning combination of architecture and fine art set in a memorable context.
Ten years in the making, the newly opened Chaplin’s World in Corsier-sur-Vevey wins over visitors of all ages with an immersive look into its beloved subject’s life that cleverly mixes memories, imagination, humour and oodles of heart. In September 1952, Charles Chaplin left his home in Los Angeles and boarded a ship in New York with his wife Oona and their young children to attend the premiere of his latest film “Limelight” in London. The next day, the US attorney general revoked Chaplin’s re-entry permit largely based on the latter’s political views, which were thought to be pro-Communist. When Chaplin received the news he cut his ties with the United States and within four months had settled into the Manoir de Ban, an elegant mansion at Corsier-sur-Vevey with a 3.5 hectare estate and stunning views over Lake Geneva. “Nothing is permanent in this wicked world – not even our troubles.” – Charlie Chaplin Here he spent the last 25 years of his life, living and realizing his creative projects in peace, accepted by the local population …
You’ll have noticed by now that I’m a big fan of the artisans of Carouge, the lovely Sardinian enclave that’s so close geographically and yet so far in terms of architecture, shopping, and “vibe” from neighboring Geneva. Many of these celebrated differences find their source in Carouge’s heyday as Geneva’s economic rival. Border trade made it a commercial hub and the population exploded (from 500 to 4,700 in the twenty years from 1772-1792) sparking an influx of diverse artisans to service its daily needs.