The characters and themes brought to vibrant, colorful life in artist Yvonne Morell’s artworks are familiar and yet strikingly original. Her depictions cast a fresh light on everyday occurrences, habits and objects with an engaging warmth, wit and humanity. In this interview she tells us what inspires her in life and in work. Yvonne, please describe your path to becoming an artist. Creativity has always been part of my life but it was only at 22 that I registered for a drawing class at Ceruleum in Lausanne. Every Saturday morning I went there and just drew all morning…pots, plants, flowers, anything: I didn’t care what, I just LOVED it. I felt a whole new world opening up to me. From there it was years of painting and learning until I decided to dedicate myself full time to it.
Again this Spring the artisans of the Lake Geneva region are throwing open their workshops to welcome the public during the Journées des Métiers d’Art 2018 (JEMA). Here in the Swiss Romandy we go about our daily business often oblivious to the talented craftspeople who keep some of our favorite boutiques, repair shops, opera houses, theatres, museums and so much more, open for business. Their painstaking workmanship is often the result of years of study and apprenticeships to hone skills that have been passed down through many generations.
Last summer I posted about how the Théâtre de Carouge reaches out to Geneva’s international, multilingual audience with innovative new techniques and imaginative special events. Now it’s taking that effort one step further with a special performance entirely in English of a mesmerizing new production that promises to be unlike anything seen in the City of Calvin before — Cold Blood.
It sometimes seems to me that Geneva has more artists per square inch than any other city of comparable size. An event this coming Saturday and Sunday, 14-15 October, only fuels that impression.
Since the late 1950s, the Théâtre de Carouge has played a rich and vital role in Geneva’s cultural and social life by offering locally and internationally produced theatre productions of the highest calibre, in French, to loyal local audiences, the composition of which has changed dramatically over the decades. Today the city is home to a multitude of citizens and visitors from a broad swathe of origins, backgrounds, tastes and most significantly for a theatre company, languages.
When I visited the exhibition A Chinese Adventure: A Swiss family in pursuit of success in the Celestial Empire this past April, I promised myself that I would return to visit the permanent collection of the Musée Fondation Baur before the summer was out. With little time to spare after having enjoyed the temporary exhibit in the basement, I’d rushed through three floors of display cases catching too short a glimpse of the artwork on view. But it was long enough to appreciate that the beauty — and unexpectedly to me, the humour — to be found in the exquisite Far Eastern treasures displayed merited at the very least one more visit.
Three museums in Morges will be the setting for an exploration of the fashion legend’s oeuvre including pieces created especially for the films and private life of his famous client, who lived in nearby Tolochenaz. From the 20th May and continuing until 17th September, lovers of haute couture and of cinema will have an extraordinary opportunity to visit a unique retrospective that explores — for only the third time internationally — the life’s work of one of haute couture’s greatest designers, Hubert de Givenchy. In this context, it will also look at the unparalleled professional collaboration and personal friendship that Givenchy enjoyed with his muse, the celebrated actress and fashion icon Audrey Hepburn, which defined her unique look and that of an era and which continues to influence fashion to this day.