Since the late 1950s, the Théâtre de Carouge has played a rich and vital role in Geneva’s cultural and social life by offering locally and internationally produced theatre productions of the highest calibre, in French, to loyal local audiences, the composition of which has changed dramatically over the decades. Today the city is home to a multitude of citizens and visitors from a broad swathe of origins, backgrounds, tastes and most significantly for a theatre company, languages.
Have you ever wished that you could sit down with a mentor and talk about the challenges of making your way in your profession? Or how to trailblaze your own unique path? Be true to your own sense of self and fulfil your own creative potential regardless of how others might react? Someone honest and direct but also supportive and gracious.
This is a special year for Canada and for my hometown Montreal as they both mark another benchmark year in their respective histories. In recognition, I want to include a piece about a cultural gem that is well worth adding to your bucket list of must-see museums should you ever be fortunate enough to visit. Here, Montreal-born writer Andrea Grimaud gives us her impressions as to why the McCord Museum is so worth your while to experience. Throughout the year, Montreal’s McCord Museum mounts stunning temporary exhibitions dedicated to illuminating for citizens and out-of-towners alike the history, people and communities of this vibrant, multicultural city, which this year celebrates its 375th birthday just as Canada marks its 150th.
When I visited the exhibition A Chinese Adventure: A Swiss family in pursuit of success in the Celestial Empire this past April, I promised myself that I would return to visit the permanent collection of the Musée Fondation Baur before the summer was out. With little time to spare after having enjoyed the temporary exhibit in the basement, I’d rushed through three floors of display cases catching too short a glimpse of the artwork on view. But it was long enough to appreciate that the beauty — and unexpectedly to me, the humour — to be found in the exquisite Far Eastern treasures displayed merited at the very least one more visit.
Some shopowners sell to make a living. Others care about their merchandise but keep the relationship strictly professional. Then there are those who embrace the individuality and provenance of each article as if it were a child, valuing its uniqueness while creating a harmony in the family of merchandise as a whole. “There isn’t one thing here I don’t love. I can only sell what I love.” It’s obvious that Isabelle Giovenni is just such a proprietor as she introduces me to each of the product lines at her boutique Capricieuse, which opened its doors on 11 April in a luminous corner property at the intersection of rue des Eaux-Vives and rue des Vollandes in the Eaux-Vives neighborhood of Geneva.
Three museums in Morges will be the setting for an exploration of the fashion legend’s oeuvre including pieces created especially for the films and private life of his famous client, who lived in nearby Tolochenaz. From the 20th May and continuing until 17th September, lovers of haute couture and of cinema will have an extraordinary opportunity to visit a unique retrospective that explores — for only the third time internationally — the life’s work of one of haute couture’s greatest designers, Hubert de Givenchy. In this context, it will also look at the unparalleled professional collaboration and personal friendship that Givenchy enjoyed with his muse, the celebrated actress and fashion icon Audrey Hepburn, which defined her unique look and that of an era and which continues to influence fashion to this day.