Let your feet set you on a path to artistic discovery this month at two ‘open workshop’ events, the first in Rolle on the 22-23rd September followed on the 29-30th by a second in Saint-Prex.
Just as the season for languid, lazy moments has arrived in the Swiss Romandy comes a new exhibition at the Hermitage Foundation in Lausanne that captures the very essence of hot summer days and nights. In Manguin: The voluptuousness of color we see some 100 works — paintings, sketches and watercolors — by the painter Henri Manguin (1874-1949) who indulged his passion for color so ardently the contemporary poet Apollinaire called him the “voluptuous painter”.
Once you scratch the surface (figuratively, of course) of Danish furniture design there’s just no turning back. Boris Liger, Manager of Geneva’s La Boutique Danoise — for whom Danish design is not just a job, but a passion — explains why it elicits such enthusiasm and the reasons for its enduring appeal.
Award-winning Swiss designer Ly-Ling Vilaysane established her fashion brand “aéthérée” in 2006. At her St Gallen atelier she creates timeless, modern clothes for everyday wear with an emphasis on quality materials and attention to detail. In this Q&A interview she shares with us what’s important to her in life. Ly-Ling, please describe your path to becoming a fashion designer. I wanted to become a fashion designer since I was 7 years old. It always fascinated me how thoughts can be made tangible. You have an idea and suddenly you hold the idea in your hands and then you can wear it and make people happy. After graduation I wasn’t sure if I should study architecture, but then I chose fashion and don’t regret it for a second. Being a fashion designer means being free. I’m free to express myself through my work. I’m allowed to do what I like every day and I can choose who I want to work with. In addition, I can express my personal development through my clothes.
Until 21st of May, the Fondation de l’Hermitage in Lausanne gives us a privileged look at the use of pastels across five centuries of art. Some 150 masterpieces from public and private collections in Switzerland — from early Renaissance masters to contemporary artists — give us a captivating look at this exceptional technique. Sometimes the word “pastel” when used in reference to the color of clothing, decor or makeup can conjure an image of the faded or wishy-washy for me. But seeing the effect of pastels in artworks, such as those now exhibiting in Pastels from 16th – 21st century at the Hermitage in Lausanne, I realize that pastel shades – even in the most subtle rendering — are anything but weak.
By the time spring comes around again I know it’s time for the “riot” of creativity that is the UNIcréa Arts & Crafts Salon, which twice annually brings together more than 100 artisans ‘handpicked’ for their originality, passion and talent by UNIcréa founder and director Céline Dreveton.
The characters and themes brought to vibrant, colorful life in artist Yvonne Morell’s artworks are familiar and yet strikingly original. Her depictions cast a fresh light on everyday occurrences, habits and objects with an engaging warmth, wit and humanity. In this interview she tells us what inspires her in life and in work. Yvonne, please describe your path to becoming an artist. Creativity has always been part of my life but it was only at 22 that I registered for a drawing class at Ceruleum in Lausanne. Every Saturday morning I went there and just drew all morning…pots, plants, flowers, anything: I didn’t care what, I just LOVED it. I felt a whole new world opening up to me. From there it was years of painting and learning until I decided to dedicate myself full time to it.