Newly reopened after the city recently lifted (partially) it’s COVID-19 lockdown, the Museum will feature this exhibition until 14 March at its temporary location at Boulevard des Promenades 25. The original review follows below: There’s a little bit of glamour in all of us. Or so some of us like to think. Usually, that glamour finds expression in private moments as we gaze into the bathroom mirror freshly made up or if we catch our reflection in a storefront window on a particularly good day. For that fleeting moment of satisfaction, a few things have to hit the right notes: the lighting, angle, clothes, mood, props and makeup. Yet rarely in our daily lives do these elements occur simultaneously and in a natural setting. From the 1930s to 1950s, a few fortunate women had all those high notes hit, albeit in the Carouge photo studio of photographer Ernest Piccot. His portraits of local women, their identitites unrecorded and unknown, now make up a retrospective at the Musée de Carouge entitled Elles. In the Lens of Ernest …
Im kicking myself for ignoring my initial impulse to visit the Hermitage Foundation in Lausane “no matter what” when their current exhibition Canada and Impressionism opened there in late January. Being Canadian and a fanatic for almost all things Impressionism I knew I’d be Impressed (excuse the pun) by the collection of a hundred paintings by Canadian painters, which has been loaned to the Hermitage largely by the National Gallery of Canada in Ottawa.
The Geneva Lux festival of lights, organised by the city’s Department of Urban Environment and Security, returns from 24 January to 2 February 2020 to transform its boulevards, boats, churches, hotel facades and parks into vibrant artworks for visitors and residents alike.
Until March 2020, a new exhibition at the Maison Tavel in Geneva’s Old Town displays a beautiful collection of photographs tracing the first 25 years of photography in the French-speaking part of Switzerland.
I have to say I’m very impressed with how the Hermitage Foundation in Lausanne always manages in its exhibitions to include a favourite painting of mine, discovered during my five-year stay as an expat in Hampstead, London. It’s as if they’re reading my mind and I’ll have to tell them how much I appreciate it on my next visit, which is never very long after my last one because their exhibitions consistently distinguish themselves by their quality and diversity.
The new production “Je Suis Invisible!” that opened on 26 March at the Théâtre de Carouge’s impressive temporary venue La Cuisine derives it’s comedic inspiration from Shakespeare’s A Midsummer Night’s Dream. But its winning, madcap charm owes greatly to the modernised, offbeat interpretation its given by British-born director Dan Jemmett based on an approachable, down-to-earth but still lyrical translation into modern-day French by his longstanding collaborator Mériam Korichi.
The International Film Festival and Forum on Human Rights (FIFDH) starts its 17th edition tomorrow, 8th March, which by design will have it running concurrently with the annual main session of the UN Human Rights Council in Geneva.