The new production “Je Suis Invisible!” that opened on 26 March at the Théâtre de Carouge’s impressive temporary venue La Cuisine derives it’s comedic inspiration from Shakespeare’s A Midsummer Night’s Dream. But its winning, madcap charm owes greatly to the modernised, offbeat interpretation its given by British-born director Dan Jemmett based on an approachable, down-to-earth but still lyrical translation into modern-day French by his longstanding collaborator Mériam Korichi.
The International Film Festival and Forum on Human Rights (FIFDH) starts its 17th edition tomorrow, 8th March, which by design will have it running concurrently with the annual main session of the UN Human Rights Council in Geneva.
One of many highlights during my six-year stay in London had to be the proximity of prestigious art museums where the cream of 19th-century British art held pride of place. In particular I enjoyed visiting the Tate Britain on Millbank, which houses the nation’s Turner Collection in addition to beloved works by the Pre-Raphaelites and remarkable portraits by the American painters John Singer Sargent and James Abbott McNeill Whistler. So it’s a huge pleasure to learn that the Hermitage Foundation in Lausanne will continue its run of outstanding art exhibitions with the opening on February 1st of “British Painting from Turner to Whistler”.
The Geneva English Drama Society (GEDS) brings Truman Capote’s “Breakfast at Tiffany’s” to the Théâtre de Terre-Sainte in Coppet from 20-24th November. In the role of Holly Golightly actor Geneva Holloman brings the necessary training with a degree in theatre arts and success in an award-winning acting ensemble. But it may be what she calls “the hardest year of my life” that most informs her portrayal of New York’s most famous High Society wannabe.
I know it’s a little late in the game to be telling you about the outdoor photography exhibition called Festival Images Vevey that since the 8th of this month has taken over the parks, buildings, streets (and even a portion of Lac Leman) of this picturesque city, but with six days still to go before the curtain drops on this biennial event, there’s still time to experience it.
A visit to the Romont Vitromusée has all the elements of a perfect day trip: a singular collection found in an historic setting that’s accessible via direct rail links running through a stunning, pastoral landscape. From Medieval to Contemporary times The Romont Vitromusée of Stained Glass and Reverse Painting on Glass exhibits some of Switzerland’s most historically significant and visually stunning glass objects in a 13th-century timber-beamed castle that sits amidst a medieval hilltop village, making a visit there more than just another day at the museum.
Just as the season for languid, lazy moments has arrived in the Swiss Romandy comes a new exhibition at the Hermitage Foundation in Lausanne that captures the very essence of hot summer days and nights. In Manguin: The voluptuousness of color we see some 100 works — paintings, sketches and watercolors — by the painter Henri Manguin (1874-1949) who indulged his passion for color so ardently the contemporary poet Apollinaire called him the “voluptuous painter”.