Last summer I posted about how the Théâtre de Carouge reaches out to Geneva’s international, multilingual audience with innovative new techniques and imaginative special events. Now it’s taking that effort one step further with a special performance entirely in English of a mesmerizing new production that promises to be unlike anything seen in the City of Calvin before — Cold Blood.
It sometimes seems to me that Geneva has more artists per square inch than any other city of comparable size. An event this coming Saturday and Sunday, 14-15 October, only fuels that impression.
Since the late 1950s, the Théâtre de Carouge has played a rich and vital role in Geneva’s cultural and social life by offering locally and internationally produced theatre productions of the highest calibre, in French, to loyal local audiences, the composition of which has changed dramatically over the decades. Today the city is home to a multitude of citizens and visitors from a broad swathe of origins, backgrounds, tastes and most significantly for a theatre company, languages.
This is a special year for Canada and for my hometown Montreal as they both mark another benchmark year in their respective histories. In recognition, I want to include a piece about a cultural gem that is well worth adding to your bucket list of must-see museums should you ever be fortunate enough to visit. Here, Montreal-born writer Andrea Grimaud gives us her impressions as to why the McCord Museum is so worth your while to experience. Throughout the year, Montreal’s McCord Museum mounts stunning temporary exhibitions dedicated to illuminating for citizens and out-of-towners alike the history, people and communities of this vibrant, multicultural city, which this year celebrates its 375th birthday just as Canada marks its 150th.
When I visited the exhibition A Chinese Adventure: A Swiss family in pursuit of success in the Celestial Empire this past April, I promised myself that I would return to visit the permanent collection of the Musée Fondation Baur before the summer was out. With little time to spare after having enjoyed the temporary exhibit in the basement, I’d rushed through three floors of display cases catching too short a glimpse of the artwork on view. But it was long enough to appreciate that the beauty — and unexpectedly to me, the humour — to be found in the exquisite Far Eastern treasures displayed merited at the very least one more visit.
One of these days I’m really going to have to thank the directors of the Hermitage Foundation in Lausanne for scheduling their best exhibitions of impressionist art at moments of personal celebration in my life. Last year I had the pleasure of seeing Immersed in Color: Signac’s sublime art at the Hermitage on my birthday in March. This year, just in time for my wedding anniversary in April, they very thoughtfully opened Masterpieces of the Bührle Collection, which continues at the Foundation until 29 October. It seems that our mutual timing could not be better.
The evocative and beautifully curated exhibition “A Chinese Adventure: A Swiss family in pursuit of success in the Celestial Empire” tells a story not often associated with the prosperous Switzerland we know today: that of a young Swiss man seeking his fortune in a far off land of unknown mysteries, great uncertainty and no small amount of peril. But things were different in 1859 when 19-year-old Pierre-Frédéric Loup from the Val-de-Travers in Canton Neuchâtel set off on a two-month journey by coach, rail and steamship via the Mediterranean, Egypt, India, Singapore, and Saigon to Hong Kong to join compatriot Eugène Borel in selling Swiss timepieces to the Imperial Court.